Sold Out - We are pleased to invite you to the art and scholarly dialogue series, "Living Otherwise: Perspectives on Time, Space, and Sense-Making from Okinawa." The series encompasses an art exhibition and book display, a photobook workshop, along with an artist talk. The art exhibition will run from March 25 to April 26, 2024 (Cheng Yu Tung East Asian Library), with the photobook workshop and opening reception taking place on March 25, 2024 (Cheng Yu Tung East Asian Library), and the artist talk on March 28, 2024 (EAS Lounge, 14th floor, Robarts Library).
* The exhibition is open to the general public from March 25 to April 26, 2024, 10 AM to 6 PM. Please register in advance for visits: https://forms.gle/ZZ9F6p2K61yDtFqB7
EVENT SCHEDULE:
Photobook Workshop
- Date and Time: March 25, 2-3:30 PM
- Location: Flexible Learning Space, Cheng Yu Tung East Asian Library, 8th floor, Robarts Library
- Registration: https://forms.gle/ZZ9F6p2K61yDtFqB7
Moderator: Ji Eun (Camille) Sung (A&S Postdoctoral Fellow in East Asian Studies, University of Toronto)
Opening Reception
- Date and Time: March 25, 3:30-4:30 PM
- Location: Flexible Learning Space, Cheng Yu Tung East Asian Library, 8th floor, Robarts Library
- Registration: https://forms.gle/ZZ9F6p2K61yDtFqB7
Artist Talk with Kaori Nakasone and Satoko Nema
- Date and Time: March 28, 3-5:00 PM
- Location: EAS Lounge, 14th floor, Robarts Library
- Registration: https://forms.gle/ZZ9F6p2K61yDtFqB7
Discussants: Mayumo Inoue (Associate Professor in Comparative Literature, Hitotsubashi University), Wendy Matsumura (Associate Professor in History, University of California, San Diego), Elizabeth Wijaya (Assistant Professor in Cinema Studies, University of Toronto)
Moderator: Sabrina Teng-io Chung (Ph.D. candidate in East Asian Studies, University of Toronto)
EVENT DESCRIPTION:
“Living Otherwise: Perspectives on Time, Space, and Sense-Making from Okinawa” is an event series that encompasses an art exhibition and book display, a photobook workshop, along with an artist talk. It highlights the photographic works of Kaori Nakasone and Satoko Nema, two artists from Okinawa, and Mayumo Inoue, a scholar specializing in comparative literature from Tokyo, Japan. Through photographic art and artist and scholarly exchange, this event series seeks to engage the University of Toronto community with the question of “living otherwise”: What does it mean to live in our times marked by senses of precarity, grief, and violent losses? What conditions could enable the possibilities for “living otherwise”—that is, to live in just and relational terms in the face of difference and absence?
In the workshop, the artists will discuss with the participants how their experiences of producing, publishing, and distributing photobooks and independent magazines in Okinawa constitute an alternative image politics that refuses prevalent imaginings of Okinawa as either a tourist paradise or a militarized site. The artist talk with Kaori Nakasone and Satoko Nema, featuring Professor Mayumo Inoue from Hitotsubashi University, Professor Wendy Matsumura from the University of California, San Diego, and Professor Elizabeth Wijaya from the University of Toronto as discussants, will investigate how artistic practices, both from and beyond Okinawa, can contribute to critical insights on broader issues such as transnational capitalism, logistical technologies, and geopolitics of mobility and immobility across the Pacific.
ABOUT THE SPEAKERS:
Artists:
Kaori Nakasone is a photographer based in Tokyo and Okinawa, Japan. She held solo exhibitions "Temporality" (Kobunesha Studio, Naha, 2023) and “Unframed” (Kiyoko Sakata Gallery, Naha, 2016) and participated in group shows including “Transit Republic: The Pan-Pacific Collective Edition'' (arena 1 gallery, Los Angeles, 2017) and “the 27th Hitotsubo Photography Exhibition” (Guardian Garden, Tokyo, 2006). Having served as an editor of photography magazine LP from 2008 to 2010, Nakasone began publishing las barcas in 2011 as its chief editor. She co-wrote the essay "Between Studium and Punctum: Tomatsu Shomei and Nakahira Takuma between ‘Japan’ and ‘Okinawa'" with Mayumo Inoue. It appeared in Voice of Photography (issue 28) in Taiwan and in the edited volume Epistemic Decolonization and the End of Pax Americana (Routledge, 2023). She published a photobook Temporality in 2023.
Satoko Nema is an artist born and based in Okinawa, Japan. She teaches as an adjunct instructor at the Okinawa Prefectural University of Arts. She held solo exhibitions “Marginalia” (Naha Cultural Arts Theater NAHArt, Naha, 2023), “Simulacre” (Renemia, Naha, 2019), and “Paradigm” (Omotesanto Gallery, Tokyo; space aotsubame, Kobenesha, gallery atos, Okinawa, 2016). She also participated in group shows including “LAS ISLAS SOLITARIAS” (Sugarcane Room gallery, Miyagi Island, 2023; sponsored by the Okinawa Arts Council), “Artist Today” (Okinawa Prefectural Museum and Art Museum, Naha, 2019-2020), “Sharing as Caring #6 Trans-Affekte: Geschichten, Leben und Landschaften (Heidelberger Kunstverin, Germany, 2018-1019), “Transit Republic: The Pan-Pacific Collective Edition” (arena 1 gallery, Los Angeles,2017), “Untimely Encounter 2016: Moment” (Alternative Space LOOP, Korea, 2016-2017), among others. She published two photobooks, Paradigm in 2015 and Simulacre in 2019. In 2023, she co-founded the artist group Aotsubame, whose members established the art gallery Sugarcane Room in Miyagi Island, Okinawa.
Discussants:
Mayumo Inoue is an associate professor of comparative literature at Hitotsubashi University. His publications include the co-edited collection Beyond Imperial Aesthetics: Theories of Art and Politics in East Asia (with Steve Choe, Hong Kong University Press, 2019) as well as the articles on aesthetics and poetics in the works by Theresa Hak Kyung Cha, Charles Olson, and Kiyota Masanobu in the imperial context of the U.S. and East Asia including Okinawa in A Blackwell Companion to American Poetry, Discourse, and American Quarterly. His essays in Japanese have appeared in journals such as Gendai Shiso, Ecce, and las barcas. He is also a founding member of an Okinawa-based art journal las barcas.
Elizabeth Wijaya is an Assistant Professor in the Department of Visual Studies at the University of Toronto (Mississauga) and Graduate Faculty in the Cinema Studies Institute at the University of Toronto (St. George). She is the Director of the Southeast Asian Seminar Series at the Asian Institute, Munk School of Global Affairs and Public Policy. Her work has been published in Verge, Cultural Critique, Discourse, Parallax, Derrida Today, Pacific Affairs, and the edited volume, Ecology and Chinese-Language Cinema. She is the Associate Producer for Taste (dir. Lê Bảo, 2021), Co-Producer for Mongrel (dir. Chiang Wei Liang, in post-production), and Assistant Producer for Viet and Nam (dir. Truong Minh Quý, in post-production). She is a co-founder of E&W Films and co-editor of World Picture Journal.
Wendy Matsumura is Associate Professor of modern Japanese history and Okinawa studies at UC San Diego. She received her Ph.D. in History from New York University in 2007. She is the author of two monographs, both from Duke University Press. The first, published in 2015, The Limits of Okinawa: Japanese Capitalism, Living Labor, and Theorizations of Community, traced the way that Okinawa, an entity that only came into existence as a territorial and political category in the late 1870s transformed into a diasporic, cultural community included in, but distinct from the Japanese nation-state by the early 1930s. It argued that the production of a belief in Okinawa as an organic, trans-historical community was inextricably linked to capitalist crises that found their temporary resolution in appeals to the Okinawan community. Matsumura’s second monograph, published in 2024, Waiting for the Cool Moon: Anti-Imperialist Struggles in the Heart of Japan’s Empire, traced the transformation of the Japanese small farm household (shono noka) into the material and discursive foundation of the national community and its members into conquistador humanists following the post-World War One agrarian crisis. In addition to conventional academic venues, her work has been published in Viewpoint magazine, The Funambulist, Society & Space, and other more public-facing outlets.
Moderators:
Sabrina Teng-io Chung is a Ph.D. candidate in East Asian Studies at the University of Toronto. Her dissertation examines the U.S. and Japanese colonial governance of Okinawa’s urban built environment through the lens of transpacific studies, inter-Asia cultural studies, and critical infrastructure studies. Her publication has appeared in Society and Space (online edition). She translated investigative reporting articles from independent Chinese-language news outlets including The Reporter and Initium Media. She also co-founded the "Thinking Infrastructures in Global Asia: New Perspectives and Approaches" Working Group, which is sponsored by the Jackman Humanities Institute. Her research has been supported by the School of Cities Graduate Fellows Program and the MOFA Taiwan Fellowship.
Ji Eun (Camille) Sung is an Arts & Science Postdoctoral Fellow in the Department of East Asian Studies at the University of Toronto. Her primary research interest lies in artistic practices that actively employed non-conventional media, with a focus on their conversation with and operation within the socio-political conditions in Korea, and more broadly, in East Asia. Her research interests also include queer and feminist art practice, activism, and theory and the relationship between critical theory and praxis. She has worked as a curator and art critic, producing exhibitions, installations, and independent publications, particularly as a member of the Korean feminist visual art collective No New Work. Her work has been published in the Journal of History of Contemporary Art and will be included in the Routledge Companion to Art History and Feminisms.
EVENT ORGANIZER AND SPONSORSHIP:
This event is co-organized by the Jackman Humanities Institute Working Group, “Thinking Infrastructures in Global Asia: New Perspectives and Approaches" and the Cheng Yu Tung East Asian Library at the University of Toronto. It is co-sponsored by the Dr. David Chu Program in Asia-Pacific Studies, the Southeast Asian Seminar Series, and the Asian Institute at the Munk School of Global Affairs & Public Policy; Department of East Asian Studies; Department of History; the School of Cities; UTGSU; Hart House Good Ideas Funds; and the Japan Foundation, Toronto.
Click here to view event images from the opening reception on our online forum.
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